Before we get to the meat and potatoes of today’s post, here’s a comparison requested by blog reader “The Englanderish.” We’re looking at the original design of this area (left) versus the Goblet of Fire redesign (right), but with their positioning adjusted so that 2the Great Halls line up.
Anyway, let’s build off of this previous post with interior photogrammetry for Harry Potter and the Forbidden Journey! The Hollywood version, that is. Here’s the single rider queue snaking up to the second floor to rejoin the main queue in the (roughly sized/positioned) Gryffindor common room:
As I’ve described in the past, this photogrammetry is just a tool to provide me with dimensions and layout for areas where I don’t have sufficient technical drawings. I’ve never seen any blueprints of this ride’s queue. So no matter how fragmentary these automatically generated models may be, they’ll be invaluable when I try to actually model everything.
Here’s the start of the Express Pass queue:
This room feels reminiscent of the Chamber of Reception. Not a bad way to make up for skipping the first part of the normal queue. Some of the talking portraits are also duplicated here, in order to provide a similar experience for riders with Express Pass.
The Express Pass queue ends up next to the main queue in Dumbledore’s office. From there they continue into the Defense Against the Dark Arts classroom and proceed toward the Gryffindor common room:
I know it’s confusing to look at. Here’s a mildly helpful plan view of the second floor (first floor, for you Brits) so far:
Still more work to do, but I thought it’d be fun to share my progress.
I’ve been looking forward to this one! When the greenhouses went in for Chamber of Secrets, the small building forming the entrance to that courtyard was replaced with a larger and more ornate conservatory with a dome and cupola. It’s a neat structure, but my biggest reason for being excited is that there are blueprints at the Warner Bros. Studio Tour…and these provide lots of detail on the interior, which is hard to glimpse from the exterior of the model. The upshot is that today’s post concludes with the first (to my knowledge) views of the conservatory interior on the internet!
How’d I get there? Well, I decided to start from the inside; it’s easier that way, plus it allows interesting views that won’t be possible once the structure is enclosed. There’s an octagonal arrangement of planters and columns:
Texturing the interior is an interesting challenge. I don’t want to spend that long on it, since it’ll barely be visible from the outside. It’s also hard to find good texture reference precisely because it’s barely visible from the outside – and for the same reason, they probably didn’t go super realistic in terms of all the finishes anyway. (From what little we can see at the Studio Tour, it looks like the inside may have become understandably dusty, which further complicates things. I also don’t know what they were going for with the weird gold paint job on the planters.)
As I pondered this, I continued with the modeling. Next up was the spiral staircase up to the balcony level. An apparent inconsistency in the technical drawings gave me a moment of trouble with the number of risers, but I’m pretty sure my interpretation is the correct one. With a little sleuthing, I learned that this spiral staircase was based on a 1:25 scale set sold by E.M.A. Model Supplies in London. In fact, the specific product (ST-7304) is listed for sale on their website to this day. Here’s the product image:
They then added the cage and banister. Here’s my version with most of the staircase modeling done:
Finishing the staircase and moving on to the balcony above:
Unless you’re pretty short, you’ll want to watch your head as you ascend the spiral staircase. There’s a spot near the top with less than five feet of vertical clearance.
It looks like the foliage in the conservatory is mostly palm trees and the like; I tweaked some assets from CGTrader. These obviously won’t be an exact match to the ones inside the miniature, but they get the job done.
Time to start enclosing the thing:
The next section up has more dragons. I’d planned on simply using the exact same asset from the greenhouses…but I should have done my research first. Turns out the ones on the conservatory are a little different in shape/size. So I went back and roughly rigged the dragon so I could pose it a little differently for the conservatory. It’s not a perfect match to the pose, sadly, but it wouldn’t be worth it to do a whole ‘nother sculpt.
Then it was just a matter of adding the dome…
The only thing left was the cupola on top. But as I was about to start that, I randomly started noticing some issues with the castle’s overall coloration. The color has always been a tricky thing due to the various changes in the paint job, the lighting, and the color grading over time. But I’ve gradually found more and more unprocessed shots of the castle in relatively neutral white lighting, and comparing those to my renders, I decided my castle needed to be a little more yellow and a little less red. It’s surprisingly tough to get the right balance, so I’ll likely go back and continue to tweak the colors at some point. But for now, I think this brings us still closer to a convincing reproduction of the castle:
Anyway, let’s finish the conservatory!
Not half bad! But of course, the real fun is putting the camera inside, where – again, to my knowledge – no Potter fan has gone before! It’s a relatively tight interior space, so we’ll use a fisheye lens:
And here’s a shot from the balcony level:
You saw it here first, folks! (And if you didn’t…well, let me know where you did see it first, because I’d love to see more views inside the conservatory!)
I think my next steps will be to finish the last bit of the curtain wall surrounding the greenhouses and then finish up all the footpaths and lawns. See you soon!