Hogwarts Landscape Strategizing

Today’s post is mostly a big block of text, so let’s at least start with a few random renders of the project so far:

The viaduct area in Prisoner of Azkaban
The Transfiguration courtyard in Prisoner of Azkaban
The Alnwick Castle-based training grounds in the first two films

Now for some words! Lots of them!

So up till now, my castle models have been floating in the air, hundreds of feet above the lake. But I’ve hit a major milestone in the project: I’ve begun creating the rocky landscape the castle sits on!

Here are some factors informing my approach:

  • Many of the films have shots that repurpose views from previous films. These create significant inconsistencies within individual films. I’m disregarding them altogether.
  • At least for the first six films, the environment really has to be treated as two distinct entities:
    • The terrain that surrounds and supports the main 1:24-scale castle miniature.
      • This terrain was carved out of polystyrene, with rocky outcroppings of plaster molded from slabs of coal.
      • This terrain is quite consistent within each film and changes incrementally between films.
    • The lake and mountains that surround the miniature in the films.
      • Typically, the visual effects team integrated photography of Scotland into digital matte paintings and layered those onto 3D geometry.
      • Unlike the miniature, these CG environments change drastically from one scene to the next, not to mention from one film to the next. (The second film contains a particularly dramatic example: there are two establishing shots that use similar or identical plates of the castle miniature, but the surrounding terrain is totally different.)

The upshot is that you can’t create one single environment that will be 100% consistent with every shot in a given film. You can do it with the miniature, but beyond its borders, it’s literally impossible. So my approach there will be impressionistic. Still, I gathered reference images from each film. I carefully took note of common features between films and annotated them with color coding. I even had fun unrolling some of the panning shots into rough simulacra of the original matte paintings.

But you can only do so much researching and strategizing. Eventually you’ve just got to get started! So I hit the major milestone of starting to model the landscape a few days ago…but I’m going to save the renders for the next post. I should have a video for you as well. Doesn’t look like much yet, but the work has started; I’m just having to pace myself right now because of my repetitive strain injuries. But I didn’t want to go too long without at least posting something.

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